Showing posts with label asemic writing. Show all posts
Showing posts with label asemic writing. Show all posts

12/17/13

Signs of life of signs / differx. 2013

    
(some notes from an e-mail to Tim Gaze, Sept., 2013)


Maybe (linear or nonlinear) “experimental writing” and “visual poetry” are simply first definitions of the vast living environment of works made by the worldwide community of people involved in asemic (and so pansemic) writing and in the making of abstract stuff.

And: about the words “writing” and “abstract” —maybe they’re narrow definitions of areas of signs. A suitable term could be “sign” indeed.

The life of signs is perhaps the ‘thing’ we try to deal with. A “sign” is an entity which, in itself, does not have an actual “itself”. It absolutely conveys something else. It’s not narrow, it’s an arrow. It’s a non-”quid” referred/referring to some (other) “quid”. And so: the reference or transfer or passage may be somehow / somewhere broken. And this fact is the alpha in “a”/semic. 

[And —at the same time— any “alpha” is a “pan”: any limit is also a secondary path or crack, a way for widening the view]

The incomplete or complete rupture or fracture of a (still presumable) transitive line (of the transmission of meaning) makes us call the sign an “intransitive” one. Or a “partially transitive” one.

For example: a signal or warning, on an unknown road and land, telling us something we don’t catch at all. A flashing light. We stare at its colours, but we can’t translate them into some kind of knowledge about an actual situation we ought to react to. By the way, we’re mesmerized by its effort in telling us something (or —better— its clear effort to move an unclear cloud of meaning[s] from A to B). We miss the point; still we go on staring at some vague (say abstract) point.

Shadows show something we don’t catch; still we cannot stop watching, and we don’t.

[This is the “alpha” turning into “pan”].

We’re almost 4 thousand years far from the birth of writing, but the written signs & glyphs & traces in caves are definitely older. So much older. In “Caves of Forgotten Dreams” Werner Herzog shows us the (partially intransitive) signs of men who lived 30,000 years ago. It’s not “writing”, it’s (perhaps) carving / painting signs. Figures.

Now we try to go very far —back into the past: pitch black.

In a time where not only the human race but the very beginning of life itself had not yet appeared on our planet. Fragments/crystals of zircon (here a pic from a documentary: http://www.youtube.com/watch?v=Eu16701JhOo) found in West-Australian rocks dating back to 4.4 billion years ago seem to reveal the presence of water on Earth in an incredibly early stage of its history: and we may consider these crystals and fragments as “signs” (of/from the ur-environment): partially transitive ones, made not by human hand, but by nature —Earth— itself. (Signs addressed to no one, to no one’s eye)
    

9/12/13

more infos about “an anthology of asemic handwriting”

booktrailer:



*

http://www.uitgeverij.cc/publications/an-anthology-of-asemic-handwriting/

http://www.amazon.com/Anthology-Asemic-Handwriting-Michael-Jacobson/dp/9081709178/


About the book (from Uitgeverij):
An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher’s hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog.

Works by:
Reed Altemus, mIEKAL aND, Rosaire Appel, Francesco Aprile, Roy Arenella, Derek Beaulieu, Pat Bell, John M. Bennett, Francesca Biasetton, Volodymyr Bilyk, Tony Burhouse & Rob Glew, Nancy Burr, Riccardo Cavallo, Mauro Césari, Peter Ciccariello, Andrew Clark, Carlfriedrich Claus, Bob Cobbing, Patrick Collier, Robert Corydon, Jeff Crouch, Marilyn Dammann, Donna Maria Decreeft, Alessandro De Francesco, Monica Dengo, Mirtha Dermisache, Bill Dimichele, Christian Dotremont, Jean Dubuffet, Max Ernst, Mark Firth, Eckhard Gerdes, Mike Getsiv, Jean-Christophe Giacottino, Marco Giovenale, Meg Green, Brion Gysin, Jeff Hansen, Huái Sù, Geof Huth, Isidore Isou, Michael Jacobson, Satu Kaikkonen, Jukka-Pekka Kervinen, Rashid Koraishi, Irene Koronas, Edward Kulemin, Lê Quốc Việt & Trần Trọng Dương, Jim Leftwich, Misha Magazinnik, Matt Margo, André Masson, Nuno de Matos, Willi Melnikov, Morita Shiryu, Sheila E. Murphy, Nguyễn Đức Dũng, Nguyễn Quang Thắng, Phạm Văn Tuấn, François Poyet, Kerri Pullo, Lars Px, Marilyn R. Rosenberg, Roland Sabatier, Ekaterina Samigulina & Yuli Ilyshchanska, Alain Satié, Karen L. Schiff, Spencer Selby, Peggy Shearn, Ahmed Shibrain, Christopher Skinner, Hélène Smith, Lin Tarczynski, Morgan Taubert, Andrew Topel, Cecil Touchon, Louise Tournay, Trần Trọng Dương, Lawrence Upton, Sergio Uzal, Marc van Elburg, Nico Vassilakis, Glynda Velasco, Simon Vinkenoog, Vsevolod Vlaskine, Cornelis Vleeskens, Anthony Vodraska, Voynich Manuscript, Jim Wittenberg, Michael Yip, Logan K. Young, Yorda Yuan, Camille Zehenne, Zhāng Xù, & others

About asemic writing:
http://en.wikipedia.org/wiki/Asemic_writing
http://asemic.net/
http://thenewpostliterate.blogspot.it/
http://asemic-net.blogspot.it/
http://foffof2.blogspot.it/
https://www.facebook.com/groups/76178850228/
https://groups.google.com/forum/?hl=en&fromgroups#%21forum/asemic


 

12/25/11

REM, issue 2

REM Vol. 2, December 2011, is now online:
http://remmagazine.net/sieverts-issues/

and available for purchase at Lulu:




featuring:
Rosaire Appel, Carlyle Baker, Miriam Larsen-Barr, Eleanor Leonne Bennett, John M. Bennett, Michael Berton, John Bucklow, Valentina Cano, Stephanie Christie, Barnaby Dromgool, Raymond Farr, Carl James Grindley, Marco Giovenale, Mariangela Guatteri, Kristina Hard, Amelia Harris, Jeffrey Paparoa Holman, Kristina Jenson, Matt Margo, Joseph Musso, Vaughan Rapatahana, David Prescott-Steed, Massimo Sannelli, Fabio Sassi, Andrew Topel, Nico Vassilakis, Changming Yuan

6/23/11

Martino Oberto (1925-2011)

  
Martino Oberto passed away yesterday, June 22nd, 2011.

Born in 1925, Oberto ("OM") was a visual poet, asemic writer, anarchist, anartist, founder of the seminal vispo mag "Ana etcetera" (1958-70). His works have been exposed in solo and collective shows (with Munari, Dorfles, Fontana and many others) from the 50s up to now. He also made experimental movies, and wrote philosophical essays about writing & art. He lived in New York for a decade or so, then came back to Genoa in the 90s. His visions and projects of "powerless words" and "anart" [something like "anti-art"] are absolutely relevant, right now, even if they belong to his 1968 short movie "Before anarchism (freedom from culture)".

Here are a few links:


--- some works:
http://gammm.org/index.php/2011/04/28/letter-da-tool-n-1-om-martino-oberto-1965/
http://eexxiitt.blogspot.com/2011/06/per-ricordare-martino-oberto.html
alias : http://www.museidigenova.it/spip.php?article370
http://eexxiitt.blogspot.com/2011/06/per-ricordare-martino-oberto-2.html
alias : http://www.bancaintesaarteecultura.net/permanenti_elenco_new.asp?q_order=atr_cognomeeng&q_tipo=20&q_stringa=&q_ricerca=&q_stc=&q_curpage=125

http://www.quatorze.org/oberto.html
http://ocrablog.splinder.com/post/15270056#15270056
http://www.tract.it/angry.html



--- short movie (.it): "Prima dell’anarchia (libertà dalla cultura)" = "Before anarchism (freedom from culture)" (1968)
see http://cinemanik.org/author/martino-oberto or http://cinemanik.org/400-martino-oberto-prima-dellanarchia-liberta-dalla-cultura-aka-before-anarchism-freedom-from-culture-1968.html
freely downloadable @ Vico Acitillo: http://www.vicoacitillo.it/sonora/oberto/oberto.avi [245 Mb]


--- articles (.it):

http://genova.mentelocale.it/32117-martino-oberto-e-morto-un-ricordo-dell-artista/
http://www.tellusfolio.it/index.php?cmd=v&id=4285&prec=%2Findex.php%3Flev%3D123
http://www.quatorze.org/oberto.html
http://www.quatorze.org/poevis.html
(http://archiviostorico.corriere.it/1992/maggio/09/Martino_Oberto_intreccia_scrittura_con_co_0_9205098882.shtml)

--- self-interview (.it):
http://www.youtube.com/watch?v=LAf8T1jNeRY

4/15/11

mynd eraser / by Michael Jacobson


 
 
Book trailer for Michael Jacobson's MYND ERASER, an asemic kinetic work-in-progress blog novel (blovel). Excerpts have been published in such online journals/blogs as Gone Lawn ( http://gonelawn.net ), Red Lightbulbs ( http://redlightbulbs.net ), and Cormac McCarthy's Dead Typewriter ( http://cormac-mccarthys-dead-typewriter.blogspot.com ). Read the full novel and follow its progress at http://mynderaser.blogspot.com .

Music is "71410A," a Harsh Noise Wall by the artist My Lovely Figment. Check him out at http://mylovelyfigment.blogspot.com .