From Clayton Eshleman's new essay, "Wind from all Compass Points":
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Some years ago, in Sulfur #10, Charles Bernstein defined the officially sanctioned verse of our time as characterized by "a restricted vocabulary, neutral and univocal tone in the guise of voice or persona, grammar-book syntax, received conceits, static and unitary form." This definition is still good today, some twenty years later. In the academic writing programs, the post-Confessional and Language poetries of the 1970s have fused to produce, in the main, a poetry that is an abstract display of self-sensitivity, the new "official verse."
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Ever since I discovered the poetry of César Vallejo in the late 1950s, I have intuited that poetry is at a very early stage in its potential unfolding.
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